On the occasion of the publication of PARIS LA 17—CHANGE AGENTS (2021–2022): An intermittent, open-ended, alphabetical Reading List, expanding on the artists, works, and concepts raised in the print issue.
Nell Painter — Old in Art School: A Memoir of Starting Over. Berkeley: Counterpoint Press, 2018.
Kendra Paitz — Strange Oscillations and Vibrations of Sympathy. Edited by Paitz. Normal: University Galleries of Illinois State University, 2018.
Lygia Pape — Lygia Pape. Zürich: Hauser & Wirth, 2020.
Helga Paris — Women at Work. Text by Paris. Interview by Oliver Zybok. Berlin: Weiss Publications, 2022.
Rozsika Parker and Griselda Pollock — Framing Feminism: Art and the Women’s Movement, 1970–1985. Edited by Parker and Pollock. London: Pandora Press, 1987.
Betty Parsons — Artist Dealer Collector. By Lee Hall. New York: Abrams, 1991.
— The Painted Sculpture of Betty Parsons. Edited by Jean Crocker. Naples, FL: Naples Museum of Art, 2005.
Helen Pashgian — Spheres and Lenses. Santa Fe: Radius Books, 2021.
Ebony G. Patterson — …while the dew is still on the roses. Edited by Tobias Ostrander. Miami: Pérez Art Museum; Munich: Prestel, 2019.
Celia Paul — Self-Portrait. New York: New York Review Books, 2020.
— Letters to Gwen John. New York: New York Review Books, 2022.
— “The Muse at Her Easel.” By Zadie Smith. The New York Review of Books, November 21, 2019.
Agnes Pelton — Desert Transcendentalist. Edited by Gilbert Vicario. Munich: Hirmer, 2021.
Alicia Penalba — Alicia Penalba. Mexico City: Editorial RM; Buenos Aires: MALBA, 2017.
Laura E. Pérez — Chicana Art: The Politics of Spiritual and Aesthetic Altarities. Durham, NC: Duke University Press, 2011.
Virginia Peréz-Ratton — Virginia Peréz-Ratton: Central America, Desiring a Place. By M. Paola Malavasi Lachner and Miguel A. López. San José, CR: TEOR/éTica; Mexico City: Museo Universitario Arte Contemporáneo, UNAM, 2019.
Mai-Thu Perret — Land of Crystal. Texts by Giovanni Carmine, Fabrice Stroun, Paula van den Bosch, and Hamza Walker. Geneva: JRP Ringier, 2008.
— Mai-Thu Perret. Edited by Lionel Bovier. Texts by Diedrich Diederichsen, Élisabeth Lebovici, Jacob Proctor, and Dorothea Strauss. Geneva: JRP Ringier, 2012.
Charlotte Perriand — Inventing a New World. By Jacques Barsac, Sébastien Cherruet, and Pernette Perriand. Paris: Gallimard; Fondation Louis Vuitton, 2019.
Sondra Perry — A Terrible Thing. Berlin: Hatje Cantz, 2021.
Elizabeth Peyton — Aire and Angels. London: National Portrait Gallery, 2020.
Kembra Pfahler — Interview by Michael Bullock. Apartamento 18 (Autumn-Winter 2016–2017).
Patricia Phagan — Women Picturing Women: From Personal Spaces to Public Ventures. Poughkeepsie, NY: Frances Lehman Loeb Art Center, Vassar College, 2021.
Peggy Phelan — Unmarked: The Politics of Performance. New York: Routledge, 1993.
Sarah Pierce — Sketches of Universal History Compiled from Several Authors by Sarah Pierce. Edited by Rike Frank. Texts by Melissa Gronlund, Tom Holert, Barbara Clausen, Declan Long, and Padraíc E. Moore. London: Book Works, 2013.
— No Title. Edited by Sara Greavu and Pierce. Texts by T.J. Clark, Karl Holmqvist, Mason Leaver-Yap, and Claire Potter. Derry: Centre for Contemporary Art, 2017.
Susana Pilar — Interview by Evan Moffitt. Frieze 206 (October 2019).
Howardena Pindell — The Heart of the Question: The Writings and Paintings of Howardena Pindell. New York: Midmarch Arts Press, 1997.
— What Remains to be Seen. Edited by Naomi Beckwith and Valerie Cassel Oliver. Chicago: Museum of Contemporary Art; New York: DelMonico, 2018.
— Rope/Fire/Water. Edited by Adeze Wilford. Cologne: Walther König, 2021.
Adrian Piper — Out of Order, Out of Sight.Volume 1: Selected Writings in Meta-Art 1968–1992; Volume 2: Selected Writings in Art Criticism 1967–1992. Foreword by Robert Storr. Cambridge, MA: MIT Press, 1996.
— Adrian Piper: Race, Gender, and Embodiment. By John P. Bowles. Durham, NC: Duke University Press, 2011.
Griselda Pollock — After-affects / After-images: Trauma and Aesthetic Transformation in the Virtual Feminist Museum. Manchester: Manchester University Press, 2013.
Genesis P-Orridge — Nonbinary: A Memoir. New York: Abrams, 2021.
Liliana Porter — Liliana Porter in Conversation with Inés Katzenstein. New York: Fundación Cisneros, 2013.
Paul B. Preciado — Can the Monster Speak?: Report to an Academy of Psychoanalysts. Translated by Frank Wynne. South Pasadena, CA: Semiotext(e), 2021.
Nancy Princenthal — Unspeakable Acts: Women, Art, and Sexual Violence in the 1970s. New York: Thames & Hudson, 2019.
Laure Prouvost — Deep See Blue Surrounding You/Vois ce bleu profond te fondre. Edited by Martha Kirszenbaum. Paris: Flammarion, 2019.
Katja Pudor — Protocols. Text by Birgit Effinger. Berlin: Distanz, 2020.
Puppies Puppies (Jade Guanaro Kuriki-Olivo) — “The Interview.” By Ross Simonini. ArtReview 72, no. 1 (January–February 2020).
Kathleen Pyne — Modernism and the Feminine Voice: O’Keeffe and the Women of the Stieglitz Circle. Berkeley: University of California Press, 2007.
Christina Quarles — Christina Quayles. Edited by Grace Deveney. Chicago: Museum of Contemporary Art; Munich: DelMonico / Prestel, 2020.
R. H. Quaytman — Morning: Chapter 30. Munich: Prestel, 2016.
— The Sun Does Not Move, Chapter 35. Edited by Jaroslaw Suchan. Cologne: Walther König, 2021.
From top: Laure Prouvost, Deep See Blue Surrounding You/Vois ce bleu profond te fondre, exhibition catalog cover image courtesy and © Laure Prouvost and Flammarion; Paul B. Preciado, photograph by Marie Rouge, courtesy and © the author and the photographer.