MARK GOLAMCO — THE GHOST OF TED DRAGON
“A musician inspired by a painter who loves a dancer and what moves a dancer? Music! THE GHOST OF TED DRAGON shows this cycle of creativity with the stage as its playground.” — Mark Golamco
JORDI, CADE, AND IRONSTONE — 2300 SHE
Throbbing with body horror and not shy of humor and sensuality, 2300 SHE—an ongoing project that explores our imperial wasteland destiny—is a dance and multimedia critique of cis feminism within the cannibalizing American office cubicle. The American drive to expand
IRA SACHS — PASSAGES
What do we see when we look into Franz Rogowski’s eyes, when we watch him watching? A desired presence, a short fuse of insolence, a shortcut to transgression—the double-edged trap of audience expectations are high whenever he appears on the
GINA GAMMELL AND RILEY KEOUGH — WAR PONY
WAR PONY—directed by Gina Gammell and Riley Keough—narrates its themes of generational trauma and the dementia of modern life through the electrifying lens of a crime saga. Set in South Dakota’s Pine Ridge Reservation among members of the Oglala Lakota tribe,
